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Italian judge punishes Lenovo for not reimbursing Windows license.When people saw my desktop, they were astonished. At one point, I had AfterStep tricked out to the point where everything was varying degrees of transparency and the window decorations were as much sculpture as they were code. Both of them were exceptionally configurable and could be made to look absolutely gorgeous. If you know either of those desktops (or Window Managers) you get it. My formative years with the Linux desktop were spent using the likes of AfterStep and Enlightenment E16. Curiosity got the best of me and installed the beta version of the environment. I remember, back in the early 2000s, I’d read about a new desktop in development called GNOME. With the upcoming release of GNOME 40, I’ve found myself in a rather contemplative and nostalgic mood lately. Hopefully the title has piqued your interest, as that was the intent. Why it’s a good thing that the Linux desktop is boring again. Why is that? Well, let’s take a closer look at this subject and see if this is a good OS choice for you. In its many variations, Linux is used as a software basis for many servers, IoT appliances, and many other devices but rarely do we see regular users opt for it. Still, there is a low-key third option used to power many machines but is rarely used by your average PC owner. PC owners typically choose it without giving this decision a second thought. If you’re buying a Mac computer, you probably won’t use Windows. When it comes to operating systems, most people tend to go for the most popular options. Linux for Beginners: Should You Make the Switch?. It's what made the infamous final episode a sick joke in its very concept, Larry David and the gang pulling one last clever trick on us. Self-serving when etiquette demanded sympathy. Frank when we were supposed to be diplomatic. The motto of the show: "No hugs, no learning." Seinfeld was rude in the places we were always taught to be polite. They were what made Seinfeld a comedy institution, fearless in their rejection of any conventional ploys to be liked. These four were the unrepeatable formula. It was Jerry (played, obviously, by Seinfeld), the neurotic comedian who served as the axis for the others George (Jason Alexander), the cheap, petty, and horny screw-up and a stand-in for Larry David Elaine (Louis-Dreyfus), the lone female in the group, judgmental and prone to be a little frightening in her fury, both a girl and just one of the guys and the wild card, Kramer (Michael Richards), the rubber-limbed "hipster doofus" who was liable to say or do anything. They were like the Beatles of comedy, where every person served the right function and the resulting chemistry was new and exciting also like the Beatles, they've all struggled to match past accomplishments in the solo careers that followed. The core cast of the show remained constant for all nine seasons, and the construction of the team was such that the show couldn't have functioned without any one of them missing for any extended length of time (in fact, after "The Pen" in Season 3, there was never another show where any of the main quartet was missing, barring Julia Louis-Dreyfus' maternity leave). Like a fun-house mirror, it took all of our private anxieties and blew them up to a gargantuan public spectacle. They were our avatars, the ones who were "just saying what we're all thinking." Granted, they took it farther than any of us ever would, even if given the space to cut loose, but that's what made it so damn funny. In the characters of George, Jerry, Elaine, and even Kramer, we were able to let fly with all the things that weren't necessarily acceptable in everyday life. Seinfeld made it okay to be a little mean, and by being mean, to be more honest. Instead, what we got was adult humor, caustic sentiment, and none-too-gentle elbows poked into the awkwardness of modern living. Before Seinfeld, would anyone have dared talk about masturbation or feminine hygiene products on a network sitcom? Was anyone ever killed off for comic effect on Three's Company or Too Close for Comfort? Not bloody likely! Those would require "very special episodes." Such notions were ushered out by Seinfeld. Running nine seasons, it pushed all the boundaries, from how the stories were told to testing the strength of accepted taboos. Of course, as we all know, they succeeded, and Seinfeld became one of the most influential series ever beamed over the airwaves. He and Jerry Seinfeld wanted to bust conventions, to do something different in short, to be themselves. He speaks about it a little on the bonus features on the DVDs collected in Seinfeld - The Complete Series. People like Larry David, who saw the potential in the sitcom format and jumped into the fray with the intention of fixing the things that had always bugged him about TV shows. I also think there was an influx of people who, like myself, had grown up nurtured by the glow of the glass teat, people who truly loved TV with such force that they wanted to be a part of it but also saw the errors of its ways. Increased competition meant the people actually making these shows had to try harder to stand out from the pack. A lot of this had to do with cable TV and new networks upping the ante. It wasn't until the 1990s that television began to move into a whole new era of quality. While a few series survived the transition, much of what endures, at least for me, was shot in gorgeous black-and-white. In a lot of ways, the introduction of color spelled the death of the first wave of classic television the way the introduction of sound was expected to kill motion pictures. The little brother who wants to play along but can't manage to keep up with his older sibling due to his stubby little legs. Perhaps the golden age of television, of personalities like Lucille Ball and Dick Van Dyke and Sid Caesar, loomed so large, producers felt like they could only chase after what had already passed, never quite catching up to it. The drama is hackneyed and over simplified, and the sitcoms rely on hokey jokes and recycled ideas. Let's be honest, though, when one looks back at those decades, the vast majority of the series that were popular haven't aged all that well. I grew up on the television of the 1970s and '80s and loved a whole hell of a lot of it back then. After the explosion of the tropical fruit like characteristics, the creamy popsicle like finish coats the palate and our #EQjuice finish completes your sip. The first sip is intoxicating with bright flavors of passion fruit, tangerine, pineapple and coconut flakes spritzed with fresh squeezed lime juice. Half Full pours a bright vivid yellow with an extremely pungent juice forward nose. We are extremely optimistic that upping the hopping rate, adding Sabro and a bit of lactose will keep your glasses at least Half Full. We started with one of our all-time favorite beers: Sexual Fluctuation. If you have an empty glass, crack one of these cans, make it 100% full, then half full, enjoy and reflect on positive thoughts during this virtual tropical vacation. We are all in this together and we want you to remember to always see your glass as Half Full. Expecting good things helps formulate actions to produce good things. Optimism creates opportunity and pessimism kills it. Read Lessĭuring our late-night Zoom call with Johnny, we discussed working on a beer that will tie in an important message during these unprecedented and challenging… Read Moreĭuring our late-night Zoom call with Johnny, we discussed working on a beer that will tie in an important message during these unprecedented and challenging times: Stay Positive. We hope this luscious and flavorful liquid helps remind you to keep optimism high as we continue to get through these times together. The buildup of creamy flavors morph into our notable #EQjuice and #Snakefruit finishes. Robust and bright flavors of tangelo, papaya, lime and stone fruit lead the way with a touch of coconut. We upscaled the Half Full base, used Citra/Galaxy whirlpool (Hi Sexier Fluctuation!), and we finished it with a dry hop of Citra, Galaxy, Sabro, one of our new favorite hops: BRU-1, and a touch of lactose.įull Full pours a vivid yellow with a juice forward nose. After chatting with Johnny we decided it was time to get both the EQ juice and Snake Fruit finishes in one cup again and remind everyone to stay optimistic. If you’ve been following along, you know EQ wouldn’t be EQ if we didn’t scale up something we love. If you’ve been following along, you know EQ wouldn’t be… Read MoreĪ beer made to remind us to keep optimistic, we were really happy with how Half Full came out. This beer is no longer being produced by the breweryĪ beer made to remind us to keep optimistic, we were really happy with how Half Full came out. If I am a user of this type of software, I'd rather check a box saying that I accept the risks of using the software, and have that be the end of the "digital handshake" between the creators / maintainers and myself. Why should I need somebody to know that I use the software in the first place? We have seen ample examples in society of how even the most innocent and trivial piece of knowledge can be used to its detriment. Even remote as the possibility may be (and, generically speaking) the fact that you are a user of the software could mean something to somebody. In this case, as a sound editor, most users should not need or want to have the application call home. You do your research and decide whether you take the risk of using the software or not. As an end-user, I would accept the fact that the software can fail or have an adverse effect if it is open source (i.e. I have to push back against the notion (apparently accepted by the author) that every single piece of software has to call home. defending the company from law enforcement demands), this only happens because there is a telemetry option in the first place. While I understand the need for the last bullet point (i.e. The argument that a sound editor has meta-data that law enforcement would even want is troubling regardless of the argument for it. What information is that and why exactly do they have to collect information explicitly for legal enforcement? Sure if they collect the debugging data which they explicitly list above, they might have to hand that information over if law enforcement comes knocking - no question there.īut they explicitly state that they also collect additional data purely for the purpose of "For legal enforcement" which is what I'm confused by. So if they collect debugging data, then that data can be delivered to a law enforcement agency. The thing necessary for the survival of the company is to comply with warrants for any information that they might had. I've worked on software that was installed on millions of devices that did not collect any information and I don't see why that should suddenly be illegal. There is no law in effect that forces software developers to collect information about users is there?Ĭlearly given that up to the current release such data was not collected, I don't understand the claim that this is necessary for the survival of the company. If it doesn't, it won't likely be a company for long. Whether a privacy policy says so or not, the odds are rather good that any given company will comply with legitimate law enforcement requests. While that's certainly a broad category and not particularly well-defined, it's also a fact of life in 2021. Forcing entry, they discovered both the suspect and the missing girl. “He sniffed the door and door knob, then sat down indicating he found the father.” When deputies arrived at the location, they found the door was locked and reinforced from the inside. The DeKalb County Sheriff’s Department along with other agencies from across middle Tennessee have diligently worked. “They traveled to the home and released Fred who followed a foot path from the home to a burn pile, a truck and an outbuilding,” the sheriff’s office wrote on Facebook. Nicholas Reeder, 34, and his daughter Kinzleigh, 6, were found alive but barricaded in an outbuilding with little food and water on Reeder’s property on Friday, DeKalb County Sheriff Patrick Ray said in a statement. The father and daughter wound up there after Nicholas apparently. Fred got the scent, and was able to follow the trail from the man’s home. Kinzleigh had been taken out of her father’s custody in March when authorities found them camping under a bridge with rising waters. He knew what his job was.” For this case, the deputies were able to acquire an item of clothing belonging to Nicholas Reeder. “Fred did really well,” said K9 Deputy Richard Tidwell, Fred’s handler. in March, he located his first runaway, tracking down a 13-year-old boy. The one-year-old dog has been hard at work since joining the force last year. If you have seen Kinzleigh or Reeder, please contact the DeKalb County Central Dispatch office at 61 or TBI at 1-800-TBI-FIND.Like all bloodhounds, Fred has a remarkable sense of smell, and helps the Rutherford County Sheriff’s Office to track down people. The department identified the 6-year-old girl as Kinzleigh Reeder and said in a statement they have contacted numerous law enforcement agencies in the area to help with the search - including the. The vehicle was last seen at Reeder’s address today (Tuesday) unoccupied. Reeder owns a 2004 white Ford F-150 crew cab with the driver’s side of the bed painted red. Reeder is 6 feet 2 inches and weighs 159 pounds. There is no known clothing description or direction of travel at this time. She weighs 55 pounds and has brown hair and brown eyes. Kinzleigh is a six year old white female, 4 feet tall. The District Attorney General’s Office was also notified,” said Sheriff Ray. The TBI did assist in doing a Missing Child Alert by providing a missing poster. “We also contacted the Tennessee Bureau of Investigation about issuing an Amber Alert or an Endangered Child Alert but were advised by the TBI that this case did not meet the criteria for an Amber Alert or an Endangered Child Alert. Kinzleigh Reeder, age 6, has been missing since May 26, when she was allegedly abducted by her father, Nicholas Reeder, according to the Rutherford County Sheriff’s Office. The two were homeless, and Reeder lost custody of the young girl and was charged with child. According to WKRN, Nicholas Reeder had been caught living with Kinzleigh in a tent. “After being contacted by DCS Monday the Sheriff’s Department filed a missing person report and entered information about Kinzleigh into the National Crime Information Center (NCIC),” Sheriff Patrick Ray told WJLE. Six-year-old Kinzleigh Reeder was found safe after being kidnapped by her father over a month ago, and it’s all thanks to a bloodhound named Fred. According to DCS the child was last seen by a family member on May 26. Under a court order signed June 16, the Department of Children Services was granted custody of Kinzleigh but DCS has not been able to locate her. On Monday, June 21 the Department of Children Services contacted the Sheriff’s Department seeking to file a missing child report. After Reeder’s release from jail, DCS gave Reeder approval to live in the same home where Kenzleigh was staying. Reeder was later charged with child abuse and neglect and Kinzleigh was placed into the temporary custody of a family member by the Department of Children’s Services. The child was removed from the custody of Reeder after they were found camped out under a bridge in rising creek water on the cold rainy night of March 18 at Dry Creek and Pea Ridge Road.Īuthorities learned that Reeder had driven his Nissan Rogue off the roadway into the creek bed where it got stuck during heavy rain and creek flooding. The whereabouts of six year old Kinzleigh Ray Reeder who has been missing since May 26 are still unknown but authorities believe she may be with her father, 34 year old Nicholas Ray Reeder. Corrosion protection (in light industrial environments).Available in virtually any colour - RAL, BC & NCS. Dilutable with Rust-Oleum 7301 CombiColor Thinner. 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Can you share three reasons with our readers about why you think it’s important to have diversity represented in film and television? How can that potentially affect our culture?ĭiversity in entertainment is important to me because seeing different cultures and different worlds represented on stage and on screen enriches us, expands our minds and our thinking. We are very interested in diversity in the entertainment industry. One must first be a great fan before one can become a great artist. The one piece of advice I would have for anybody wanting to go into an artistic life is to have a very clear vision of the kind of artist you want to be… identifying for yourself an artist that you admire is a good place to start. Do you have any words of advice for others who may want to embark on this career path, but seem daunted by the prospect of failure? You have been blessed with success in a career path that can be challenging. I’ve also been hard at work in my studio painting for an upcoming exhibit. All three projects and the characters I play are incredibly different. I worked on 3 television projects during the pandemic and they’re all coming out this year- Severance, Promised Land, and White House Plumbers. What are some of the most interesting or exciting projects you are working on now? I had to speak 4 languages in the movie- English, Spanish, Tagalog, and Latin- and I had 2 weeks to prepare it. One of the most interesting things I’ve been asked to do was learn Tagalog for John Sayle’s Amigo, which filmed in The Philippines. I guess I owe a debt of gratitude to my neighbors, too, who as far as I know never complained.Ĭan you tell us the most interesting story that happened to you since you began your career? I asked my mom for a drum kit, and even though we lived in an apartment, she got it for me and encouraged me to play. That, I think, was the beginning of my own creative journey. I wasn’t that interested in acting at the time, but I loved to sit by the drummer in the orchestra and watch him play. She would bring me to rehearsals with her, and I got to be around actors and musicians who were all having a great time together. My mom was a member of a theater company in Miami. My mom was an actress and my grandma worked at a movie theater, so theater and film were a part of my life from an early age.Ĭan you share a story with us about what brought you to this specific career path? Thank you for having me! I grew up with my single mom, my grandma, and my older sister in a Cuban household in Miami Beach, Florida. Thank you so much for joining us in this interview series Yul! Can you tell us the story of how you grew up? Vázquez was nominated for a Tony, Drama Desk and Outer Critics Circle Award for his role in THE MOTHERF**KER WITH THE HAT. Vázquez will next be seen starring in HBO’s WHITE HOUSE PLUMBERS, opposite Woody Harrelson and Justin Theroux.įeature credits include THE PHENOM opposite Paul Giamatti and Ethan Hawke Tom McCarthy’s THE COBBLER opposite Adam Sandler, Dustin Hoffman and Steve Buscemi Noah Buschel’s GLASS CHIN opposite Billy Crudup Brad Furman’s RUNNER, RUNNER opposite Ben Affleck and Justin Timberlake Paul Greengrass’s CAPTAIN PHILLIPS opposite Tom Hanks Michael Cuesta’s KILL THE MESSENGER opposite Jeremy Renner and Ridley Scott’s AMERICAN GANGSTER. Other recent television credits include HBO’s THE OUTSIDER, opposite Ben Mendelsohn and Cynthia Erivo, RUSSIAN DOLL opposite Natasha Lyonne, and TNT’s miniseries I AM THE NIGHT. Yul Vázquez was most recently seen in Apple TV’s SEVERANCE, opposite Adam Scott and Christopher Walken, and directed by Ben Stiller. I had the pleasure to interview Yul Vázquez. |
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